The Pleasant Profession of Robert A. Heinlein

A Critical Study of His Work (Second Edition)

Subjects: Literary Criticism, General, Science Fiction & Fantasy
Imprint: Lever Press
Open Access : 9781643151168, 445 pages, 1 color image, 6 x 9, January 2027
Paperback : 9781643151151, 445 pages, 1 color image, 6 x 9, January 2027
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A critical analysis of Heinlein’s context and response to the world and the future

Table of contents

Dedications

Preface to the Second Edition

Foreword

Introduction

Chapter 1: Biography

Chapter 2: Heinlein’s Narrative Arc

Chapter 3: Technique

Chapter 4: Rhetoric               

Chapter 5: Heinlein and Civic Society

Chapter 6: Heinlein and the Civic Revolution

Chapter 7: Racism, Anti-Racism, and the Construction of Civic Society

Chapter 8: The Right-Ordering of Self

Chapter 9: Heinlein’s Gendered Self

Epilogue: The Cat Who Walked Through Genres

Appendix 1: The Pattern of Publication

Appendix 2: Names from Starship Troopers

Appendix 3: First Publication of Heinlein’s Fictions (in chronological order)

Appendix 4: Selected Non-Fiction by Robert A. Heinlein

Secondary Works Cited

Acknowledgements

Index

Description

Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction. Today he is considered one of the genre's “big three” alongside Arthur C. Clarke and Isaac Asimov. His short stories were instrumental in developing the genre’s structure and rhetoric, while novels such as Stranger in a Strange Land and Starship Troopers demonstrated that such writing could be a vehicle for political argument.

While Heinlein’s influence remains strong, his legacy is fiercely contested. His vision of the future was sometimes radical, sometimes deeply conservative, and arguments have flared up recently about which faction has the most significant claim on his ideas. In this major critical study, Hugo Award-winner Farah Mendlesohn carries out a close reading of Heinlein's work, including unpublished stories, essays, and speeches. The Pleasant Profession of Robert A. Heinlein sets out not to interpret a single book, but to examine Heinlein’s arguments about the nature of science fiction, American politics, and himself.

Farah Mendlesohn is Emerita Professor of English and Media at Anglia Ruskin University.