The Artist William Keith

A Scots Giant Among the Redwoods

Subjects: Biography & Autobiography, Artists, Architects, Photographers, Art, General
Open Access : 9781857521580, 522 pages, 20 color images, 156 x 234, November 2026
Hardcover : 9781857521573, 522 pages, 20 color images, 6.142 x 9.213, November 2026
See expanded detail +

Detailed biography of nineteenth-century Scottish-born American painter William Keith, celebrated for his wilderness paintings 

Table of contents

List of Illustrations

Abbreviations 

Acknowledgements

Chapter One: Keith in Scotland – A Prophet Without Honour

Chapter Two: New Beginnings and New Identities in the New World

Chapter Three: Finding Treasures in El Dorado

Chapter Four: In Search of Subject and Style: Eastern Odyssey 

Chapter Five: The Call of the Wild – An Introduction to John Muir

Chapter Six: The Lure of the Old Masters – Mystics and Artists

Chapter Seven: Protestant Work Ethic and Collaboration with George Inness 

Chapter Eight: Keith’s Golden Years 

Chapter Nine: Keith’s Philosophy of Art

Chapter Ten: Away from the Easel 

Chapter Eleven: Disaster, Decline and Death 

Chapter Twelve: Resurrection

Endnotes

Bibliography

Description

The Artist William Keith: A Scots Giant Among the Redwoods reveals the rise of William Keith (November 18, 1838? – April 13, 1911), a fatherless child from a humble presbyterian upbringing in rural Aberdeenshire, Scotland to an eminent position in the artistic and civic circles of Gold Rush-era San Francisco. Illustrated with 20 images, Alexander Sutherland’s detailed and engaging study traces Keith’s personal, family and artistic influences, his lively personality and his drive to make a name for himself.

Brought to America by his widowed mother in 1851, Keith’s initial career in wood engraving was superseded by an interest in painting. He later trained in Europe, influenced by German Realism, the Barbizon painters in Paris, and later, studying portraiture in Munich. However, his major artistic shift came in 1872, when he befriended fellow Scot, John Muir (April 21, 1838 – December 24, 1914), a conservationist and environmentalist.

Their numerous trips into the mountains of Yosemite and other wilderness regions in search of suitable subjects for painting was the catalyst for a thirty-eight-year friendship and cemented Keith’s success as a landscape painter. A later influence was landscape artist George Inness (1825-94), who helped Keith find a way out of a period of despondency. Keith’s later years in San Francisco were characterised by cosmopolitan and Suffragist connections and influence in the bohemian art world of California. The San Francisco Earthquake of 1906 destroyed much of his life’s work but Keith responded pragmatically producing further work -tangible evidence of his remarkable resilience.

Dr Alexander Sutherland is an honorary senior teaching fellow at the School of Medicine, Medical Sciences and Nutrition, University of Aberdeen. He has written on witchcraft, second sight and prophecy, and healthcare in the Scottish Highlands. He is a Fellow of the Royal Historical Society.