Table of contents

Acknowledgments

Rethinking the Islamicate Through Translation: Crossings and Currents

by Jaideep Pandey and Razieh Aragahi

“Sepia Veils and White-Flowered Branches” (1989), by Forugh Karimi

Translated by Anna Learn

The Story of Sarwan and Farijan as told variously by the people of Punjab (1800s), by Captain R. C. Temple

Translated by Tara Dhaliwal

“Cries of Women, Dance of Flames:” Farzad Kamangar’s Letter from Prison on International Women’s Day (2008), by Farzad Kamangar

Translated by Tyler Fisher and Haidar Khezri

Ghazals in Malayalam (early 2000s), by Venu V. Desam, Satchidanandan, ONV Kurup, Shahabaz Aman, Vijay Sursen, Rafeeq Ahamed

Translated by Ibrahim Badshah

The Path of the Truth (ca. 1830), by Abdul Jalal Zulqad Ali

Translated by Bikash K Bhattacharya

Karnama-yi Munir (17th century), by Abu'l Barakat “Munir” Lahori

Translated by Sunil Sharma

Nabi Nāṇayam (Prophet’s Coin) (late 19th, early 20th century), by Sanaullah Makti Thangal

Translated by Mu'sab Abdul Salam

“Horse-Cart Rider” (1954), by Thankamma Malik

Translated by Ziyana Fazal

Ibrāhīmkuṭṭi Musliyāṟ’s Muḥyuddīn mawlūdinṟe tarjuma (The translation of Muḥyuddīn’s hagiography) (1887), by Koṅṅaṇaṃvīṭṭil Ibrāhīmkuṭṭi Musliyāṟ

Translated by Ihsan Ul-Ihthisam, Ameen Perumannil Sidhick, Afeef Ahmed

“Reading the Letter” (1949), by Essafi Moumen Ali

Translated by Ali Abdeddine and Adeli Block

The Pearl Cannon (1947), by Sadeq Hedayat

Translated by Mostafa Abedinifard

Three Islamicate Songs from Metro Detroit (1920s, 1940s), by Louis Wardini; Achilleas Poulos; one author unknown

Translated by Graham Liddell, Michael Pifer, and Kristin Dickinson

Description

Guest-edited by Razieh Araghi and Jaideep Pandey, this special issue explores the rich, multilingual, and transregional literary worlds shaped by and within the Islamicate sphere. 

From the Mughal court to Metro Detroit, from Malayalam ghazals to Kurdish-inflected Persian prison poetry, this issue brings together literary translations and critical reflections that unsettle assumptions about language, identity, and belonging. Rather than framing the Islamicate as a fixed geography or religious category, Absinthe 31 approaches it as a set of fluid crossings—linguistic, cultural, historical, and affective.

The issue features work in and from an expansive range of languages, including Persian, Arabic, Malayalam, Kurdish, Assamese, Amazigh, Armeno-Turkish, Dari, and Urdu—foregrounding both canonical and marginalized voices. It includes new English translations of ghazals, sīrahs, biographies, and poems originally written by poets and thinkers working across sectarian, linguistic, and national boundaries, and often negotiating minority or diasporic positionalities.

In addition to the translated works, many contributions are accompanied by translator commentaries that reflect on the ethics, politics, and poetics of translating from within the Islamicate literary landscape. Together, they suggest that translation is not just a means of access, but a mode of thinking—a method native to the Islamicate tradition itself. Spanning from the premodern courts of empire to contemporary diasporic communities, Absinthe 31 offers readers a vibrant and pluralistic vision of the Islamicate as a dynamic literary terrain shaped by continual movement, negotiation, and transformation.

Absinthe: World Literature in Translation is an open access literary magazine that emphasizes the publication of works previously untranslated into English. We prioritize contemporary works of fiction, poetry, and creative nonfiction. Absinthe does not publish scholarly articles nor does it accept unsolicited submissions.

Founded by Dwayne D. Hayes in Farmington Hills, Michigan, Absinthe has been publishing works in translation since 2003. In 2014, Absinthe was relocated to the University of Michigan’s Department of Comparative Literature, where the journal expanded its reach from European literature to world literature. 

Published once a year in digital form and in print, Absinthe is edited by graduate students in the Department of Comparative Literature, as well as by occasional guest editors. Each issue focuses on a specific theme, with an emphasis on transnational approaches.