Tolstoy and Dostoevsky in Russian Symbolist Criticism

A Reader

Subjects: Literary Criticism, Russian & Former Soviet Union, 19th Century
Open Access : 9798895060391, 339 pages, 2 color images, 6 x 9, November 2026
Paperback : 9798895060384, 339 pages, 2 color images, 6 x 9, November 2026
Hardcover : 9798895060407, 339 pages, 2 color images, 6 x 9, November 2026
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The first collection of newly translated Russian Symbolist essays on Tolstoy and Dostoevsky in decades

Table of contents

Acknowledgments

Note on Transliteration

Introduction: Reading Symbolist Criticism Now

Part I:         Tolstoy

Valery Bryusov, “On Art” (1899), translated by D. Brian Kim

Lev Shestov, excerpt from The Good in the Teachings of Count Tolstoy and Nietzsche (Philosophy and Sermon) (1900), translated by Victoria Juharyan

Dmitry Merezhkovsky, excerpt from L. Tolstoy and Dostoevsky (1902), translated by Chloë Kitzinger 

Zinaida Gippius, excerpt from Living Faces (1925), translated by Tim Langen 

Part II:        Dostoevsky

Dmitry Merezhkovsky, “Crime and Punishment” (1890), translated by Jinyi Chu

Vasily Rozanov, excerpt from F. M. Dostoevsky’s “Legend of the Grand Inquisitor”: An Experiment in Critical Commentary (1891), translated by Irina Erman

Zinaida Vengerova, “The Russian Novel in France” (1899), translated by Anne Eakin Moss 

Eugène-Melchior de Vogüé, excerpt from The Russian Novel (1886), translated by Elizabeth F. Geballe

Vyacheslav Ivanov, “Dostoevsky and the Novel-Tragedy” (1911), translated by Lindsay Ceballos 

Glossary: Proper Names and Key Terms

Appendix: Works and Characters of Tolstoy and Dostoevsky

About the Translators                                                                                                             

Description

At the turn of the twentieth century, Symbolist writers and thinkers at the forefront of Russian modernism cast Fyodor Dostoevsky and Leo Tolstoy as their chosen ancestors—examples to be exalted, repudiated, and ultimately surpassed. Their writings transformed the way these novelists were read within and beyond the Russian Empire. But many of these seminal essays either have never been translated from Russian, or exist in unreliable translations that are now over a hundred years old. Tolstoy and Dostoevsky in Russian Symbolist Criticism: A Reader opens this globally influential body of criticism to a new anglophone audience. The volume gathers fresh annotated translations of essays and readers will discover threads that extend toward writers from Sigmund Freud and J. M. Coetzee to Virginia Woolf and Mikhail Bakhtin. Tolstoy and Dostoevsky in Russian Symbolist Criticism will appeal alike to students encountering Tolstoy’s and Dostoevsky’s novels for the first time, and to scholars of literary history and theory. This volume fills a longstanding gap in the study of Dostoevsky’s and Tolstoy’s novels and provides English-speaking readers with a missing key to the absorbing—and ongoing—story of their reception.

Lindsay Ceballos is associate professor of Russian and East European Studies at Lafayette College in Easton, PA. She is the author of the monograph Reading Faithfully: Russian Modernist Criticism and the Making of Dostoevsky, 1881–1917 (NIU-Cornell University Press, 2025). 

D. Brian Kim is assistant professor of Russian and East European Studies at the University of Pennsylvania. He is the author of a range of articles on Russian literature and linguistic culture of the long nineteenth century and a translator of academic essays and contemporary poetry. 

Chloë Kitzinger is associate professor of Slavic Languages at Columbia University. She is the author of Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel (Northwestern University Press, 2021), in addition to articles on 19th–20th-century novels and novel theory.