Intimate Positions

Love, Belonging, and Sino-Italian Writing

Subjects: Literary Criticism, Chinese, Italian
Paperback : 9781915445896, 224 pages, 3 color images, 5 x 8, July 2027
Open Access : 9781915445902, 224 pages, 3 color images, 5 x 8, June 2027
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Examines Sino-Italian writing through intimacy, showing how patriotic, familial, working-class, interracial, and queer attachments reshape Chineseness in Italy. 

Table of contents

INTRODUCTION

Intimacy as Cultural Positioning

The Repertoire of Sino-Italian Writing

Context, Methodology, and Structure 

CHAPTER 1

Romance and the Motherland

Patriotism, Didacticism, and Collective Representation

Angelo Ou and Hu Lanbo: Articulating Chineseness in the Public Sphere Interracial Unions as Sites of Idealized IntegrationLove and the Responsibility of Being Chinese AbroadInterviews: Cosmopatriotic Belonging and Community Leadership

CHAPTER 2

Working-Class Attachments

Decentring ChinesenessFactory Writers: A Hang and Deng Yuehua Intraethnic Dynamics Wartime Couples Interviews: Nurturing and Disrupting the Margins

CHAPTER 3

A Family (Love) Affair

Growing Up Sino-Italian

Beyond the Migrant-Writer Label

Strategic Marriages: Shao Yan and Zhu Qifeng

Yang Xiaping’s Magic Wall

Interviews: Intergenerational Desire and Its Costs 

CHAPTER 4

Desire and Friction in Interracial Relations

Intimacy as Contact Zone

Images of Interracial Relationships in First Generation Writing

Zhai Ran, Gao Liang and the Land of Don Giovannis 

Marco Wong’s Erotic Narratives

Interviews: Patriarchy across Borders 

CHAPTER 5

Beyond Binarism

Resisting Normative Frameworks in the Sino-Italian Context

Examples of Transculturation in Sino-Italian Literary Works

Shi Yang Shi’s Kintsugi Vase

Transcending Cathay: Bamboo Hirst Celebration of Hybridity

Interviews: Queer Belonging and the Rewriting of Identity

CONCLUSION

REFERENCES

APPENDIX

Description

Intimate Positions offers the first sustained study of Sino-Italian writing, foregrounding the ways in which cultural belonging is imagined through love. Beginning from the premise that intimacy is never merely private, the book examines literary works written in both Chinese and Italian by authors of Chinese origin living in Italy, showing how romantic and familial attachments become charged sites where wider social and political questions take shape. In dialogue with affect theory, Intimate Positions approaches intimacy as both a literary theme and a force that binds individuals to families, communities, nations, and inherited ideas of identity.

Across five chapters, Intimate Positions traces a movement from normative attachments towards increasingly unstable and transformative forms of belonging. Chapters examine works in which romantic intimacy reinforces collective and patriotic visions of Chineseness; working-class narratives in which precarious lives and fragile solidarities fracture the image of a unified Chinese community in Italy; family and marriage in writing by first- and second-generation authors; interracial relationships as unsettled spaces shaped by gendered power, desire, and inequality; and queer forms of self-representation, in which Chineseness and Italianness emerge as fluid positions that can be performed and remade.

At once an interdisciplinary contribution to Sinophone studies, Italian studies, cultural studies, and mobility studies, Intimate Positions combines close textual analysis with interviews with writers, artists, activists, and cultural mediators. It illuminates a field underexplored by scholarship, and offers a relational understanding of belonging as an ongoing process of affective positioning, continually made and remade through intimacy.
 

Valentina Pedone is Associate Professor of Chinese Studies at the University of Florence, where she coordinates the SILC Research Unit (Sino-Italian Links and Crossroads). Her research focuses on Sino-Italian cultural production, Sinophone Europe, and China-Italy cultural mobility. She is the author of A Journey to the West: Observations on the Chinese Migration to Italy (2013) and editor of the first anthology of Sino-Italian writing, Addio mia Cinciuè (Farewell My Cinciuè, 2025).